My story ‘Incubator’ was published in issue #3 of Banshee. I love this journal, edited by three amazing writers, and am delighted to be included in the same pages as some amazing writers such as Deirdre Sullivan, Amy Blythe and Lisa McInerney.
‘Incubator’ is about a very politically controversial issue here in Ireland at the minute, that of abortion. I’m delighted it’s found a home as the more dialogue and debate around this topic the better.
My short story ‘Omega‘ is published in the latest edition of The Queen’s Head. It’s a quirky, illustrated, literary publication and their latest edition is science fiction themed. It’s free to read online but hardcore print traditionalists can always buy a copy for the low price of £5 (P&P included).
‘Omega’ is from a series of short stories I wrote about how a society changes once technology advances to the point that androids become commonplace. Stories cover topics such as ageing, war and beauty.
It is the first from the series to be published, though chronologically it is the last story in the sequence. As it seemed fitting to give the robots the last word in their own story, it’s told from the point of view of androids trying to attempt their own singularity.
My short story ‘Symposium‘ has just been published in the wonderful journal, Literary Orphans. It’s an Irish themed issue and I’m lucky to be published alongside some incredible talents. Please go check out some of the stories if you have time.
I wrote ‘Symposium’ back in 2009 or 2010 (I can’t really remember). But it’s basically the first story I wrote when I decided I was going to take this writing lark seriously. I’ve submitted it to quite a few places since, it was longlisted for the RTÉ/Penguin short story award and it finally found its place with Literary Orphans. So the moral of the story is perseverance is key.
Bonus Points: Read the story and see if you can guess which Navan pub it’s set in.
I haven’t read any long Japanese literature. It’s only ever been poems and short stories. I’ve seen a lot of their cartoons, films and played the games though. ‘Blind Chinese Soldiers’ is the most striking story I found in this little gem of a collection.
The author is a woman who was writing at a time when both Japanese women writers and working class writers were beginning to distinguish themselves. By all accounts she was incredibly intelligent, very politically active and had a very tough life – she suffered from tuberculosis, cancer and her only child died from malnutrition. Despite this her prose is very measured and avoids the over-the-top flowery sentimentality that would be easy to slip into.
‘Blind Chinese Soldiers’ is set in Japan near the end of World War Two and while much more understated than the obvious comparison that’s part of the point. The whole country was devastated by the war yet very little information was available. The story is set in a train station and as the protagonist is waiting to board his train a lot of Japanese policemen arrive and it turns out that the train is occupied by both Prince Takamatsu and almost 500 Chinese prisoners of war. These soldiers have been blinded, most likely by experimentation and they are lead off the train and treated very roughly by the Japanese escort.
People stand and gawk but ultimately are more concerned about their own personal tragedies than the larger problems of the country. The train is a great metaphor for this as people come and go, have brief moments of connections and then forget, yet they are all connected through the train of carriages.
There is massive diversity in this collection but this story is so brief – much like the encounter it depicts – so pared back and raw, that it is one of my favourites.
Notable Lines: All of them half-closed their eyes as if it were too bright, and tears were dripping from every eye. It was certain that every one of them was blind.